STRANGE COMINGS AND GOINGS ON ELM STREET:
Time Dilation and Time Contraction Meet
There are several quizzical and unusual things exhibited in Ms. Willis' movements which generally pass unnoticed. One is that, early in the Z-film, Ms. Willis disappears behind a concrete porch in the background between frames Z-90 and Z-96. When she next reappears in frame Z-133, her body has traversed the space between the porch and the crosswalk, a distance of nearly 50 feet in 1/18.3 of a second. A speed equal to 626.86 mph would be necessary to achieve this. This is somewhat peculiar but stranger still is the sudden apparition of a dark-suited man standing in the street at the crosswalk accompanied by a lady at the very same instant.
In frames Z-131 and Z-132, merely 1/9th second before, two ladies appear clearly standing next to each other on the sidewalk with no one within a 10-foot radius around them. At Z-133, Ms. Willis appears running past them and others travelling over 50 feet before stopping at frame Z-190. From Z-133 through Z-190, Ms. Willis traversed 50 feet in the span of 57 frames or 3.114 seconds. This is equivalent to a speed of 16.05 feet (5.35 yds!) per second, not an astronomical figure but consider that it is equivalent to running the 100 yard dash in 18.688 seconds. While this is not Olympian, it is nonetheless no mean feat for an adult, even more so for a 10 year-old girl.
DISCOVERING MS. WILLIS'S ARREST (STOP) AT Z-15/4-1/55
The body mechanics of Ms. Willis and others in the crowd in the background when observed closely show unusual and arrhythmic patterns of movement with sudden hesitations and abrupt jumps. Ms. Willis appears to run like a Heissman trophy-winning halfback, maneuvering quickly behind her father and the other bystanders at 16.05 ft/sec or 5.35 yds./sec! All this, with a complete stop at Z-155. Ms. Willis appears to have stopped behind a man identified as Robert Croft by some, Howard Betzger by others. Both men were there but only one is seen in the film.
A TOO QUICK "TWO-STEP" ON ELM STREET
The single lady in the street along with Mr. Willis performs an awkward "two step" in jumping back onto the side walk at Z-154, Z-155, Z-156, with Mr. Willis stepping on and off twice. When this was studied frame-by-frame, we found that (as in Z-20/8, Z-2/12) an extraneous and out-of-synch frame has been inserted and spliced BETWEEN the real Z-154 & ff. thus confirming that a certain interval of time has been deleted. We find that Ms. Willis is really at a complete standstill from the bottom of frame Z-1/55 and into the next frame where we find a "Chinese Foot" painted on her to simulate continuous motion with a false French "CanCan"-like leg kick. Her real leg begins her first real step at Z-160, but the effect created by the "Chinese Foot" painted on her at Z-159 makes it appear AS IF SHE HAD NEVER STOPPED RUNNING. An optical illusion of continuous movement and acceleration was created literally in a "Mickey Mouse way", a 4-frame animation:
1. Z-155 (Willis stopped)
2. Z-156 & 157 = at least 2 missing frames, likely more)
3. Z-158 (Willis stopped, frame blurred)
4. Z-159 (Willis standstill, "Chinese Foot" painted on creates false perception of motion (illusory left leg extension and retraction, similar to French CanCan leg swing)
5. Z-160 (beginning of actual and real movement, real leg not yet extended-false foot disappears creating appearance of step having been taken, leg retracted and another step about to ensue).
COMPOSITE FRAME INSERT
At this juncture, Z-154-155, we found that what we took at first to be a single extraneous frame is actually 3/4 of a frame composed from a piece of two others (the bottom half of one (Z-154) & the top quarter of another (top 1/4 Z-155) which has been inserted using two sequential splices. It is bordered by a straight horizontal splice mark at Z-154, followed immediately by another splice in the upper third of Z-155 which appears to have been deliberately covered over with black "magic marker."
CHINESE CALLIGRAPHIC CHARACTER OF MS. WILLIS' PAINTED FOOT
During this interval, Z-153 through Z-159, close scrutiny of Ms. Willis running revealed an artificial double left leg movement and 2 left steps within a two frame span (1/9 of a second apart), a physical impossibility. As predicted by our theoretical model, this is a clear example of "left-sidedness" in the Z-Film.
The removal of an interval of time at or before Z-159, necessitated the painting in of an artificial stride and artificial duplication of a left-leg movement, impossible within 1/18 of a second. Having studied the Chinese language for 25 years, this writer recognizes that someone with the skill of a great Chinese calligrapher has painted onto Ms. Willis' left side what is called in calligraphy a "stepping or walking foot". This is a basic component of Chinese writing used when depicting a walking human or "step", opposed to a standing human and is, in a sense, a universal semiotic for movement.
The skill with which someone, using a super-fine black "Magic
Marker", painted a little faux-leg and false step on an area less than 1/30 the area of a 8 mm. frame is reminiscent of the stories of oriental carvers and calligraphers who carved and painted Buddhist or Christian prayers on a grains of rice. The exception in the Z-Film being that the area taken by Ms. Willis in Z-159 is even smaller than a grain of rice.
BACK AT THE STEMMONS FREEWAY SIGN
As previously noted, a segment of two frames which rightly ought to appear between what is officially numbered Z-189 and Z-190 has been removed, transposed and spliced between Z-208 and Z-212. The insertion of this frame out of synch at this juncture of the film constitutes a major component in an optical illusion fabricated to camouflage the deletion of an interval of time during which the limo stopped before passing the Stemmons Freeway sign.
Throughout the opening of the Z-Film, the odd movements of the witnesses and bystanders in the background stand in marked contrast to the almost frozen stillness of the bystanders in the foreground who appear to be in a state of suspended animation. The unnatural stillness of those in the foreground is what completes the illusion when contrasted with the visual pulse of the lurching limousine's "stroboscopic acceleration" in the mid-ground and the accelerated and one-sided erratic body mechanics of the crowd in the background. These flaws unmask the Z-Film as the most important trick and prop holding the bogus findings of the Warren Commission and the Magic Bullet Theory together for 33 years.
THE Z-FILM: THE ULTIMATE IN PROPAGANDA & MIND CONTROL
The Zapruder Film stands today as the greatest example of not only "special effects" in film but also Mind Control in action. It stands exposed as an Orwellian "Ministry of Truth" propaganda piece still exerting a detrimental psychological side-effect on the national psyche. For over 30 years the Z-Film has successfully blind-sided the world to what really transpired in Dealey Plaza on November 22nd, 1963 but no longer can this travesty of reality and justice endure.
For the reasons given above and in keeping with the wishes of Mrs. Kennedy, who repudiated this film, this writer opposes the further broadcasting of the Zapruder Film on television until such time as a reliable and proven uncut version of the events surrounding the assassination of John F. Kennedy can be brought to light. If shown, the film should be preceded with a notice to the viewer alerting the public of "the altered state of the film". We call for an independent prosecutor to investigate the "doctoring" of the Zapruder Film and a reopening of the John F. Kennedy murder case.
This writer believes that the Zapruder Film, in its present condition, is bad for the eyes of the nation, bad for the mind of the nation and bad for the soul of the nation in its distortion of the sequence and duration of the historical events apparently depicted. Using modern science, we have demonstrated the
explicit proof of a plot to cover-up the murder of John F. Kennedy to be extant and hidden within the Zapruder Film itself. We hope thereby to serve the cause of justice and to counter and reverse the Warren Commission's use of "anti-science" to deceive the public. Anti-science may be described as the perversion of the scientific method to disinform and to deceive the public, using bogus science to concoct "magic bullet" and "jet wash" theories to perpetrate fraud and to obstruct justice in the name of "National Security".
At this moment in history, many believe that "virtual reality" is only now about to unfold around us. Let this stand as a warning to all who love freedom of speech and free thought: a "virtual reality" and a "virtual history" were foisted upon the American public and the world beginning in 1963, continuously maintained and propped up by the forces of "anti-science" until today.
The need to disinform the public and the use of mind control are the clearest signs of tyranny. Democracies die without free thought and freedom of information. The methods of manipulation used in the Z-Film threaten free men everywhere to this day. As evidenced herein, anyone who accepts the Warren Commission findings based on the Zapruder Film is not living in reality but in a "virtual reality" misconstrued, concocted and manipulated by unseen forces since 1963. Seen in this light, it would appear better to be a "JFK buff" than a Warren Commission buffoon.
The refined Gestalt psychological principles hijacked to fabricate and carry off this hoax demonstrate the interference of a powerful, group of intellectually gifted and psychologically immoral individuals who tampered with history, murdered innocent men and allowed the guilty parties to escape almost unnoticed.
Questions important to the nation remain unanswered to this day:
Who were the owners, handlers and tamperers who cut and spliced the Zapruder Film? More importantly, who masterminded it enlisting them to fabricate a false history of the United States of America? Find these people and we will find not only those who killed JFK but those as well who murdered history using a razor blade, a "magic marker" and a "magic bullet".
In conclusion, I ask for the support of all Americans in bringing about one of Mrs. Kennedy's greatest wishes: the banning of the Zapruder Film from television. Until such time when an uncut and untampered version of the Z-Film surfaces, I ask all Americans to boycott the broadcasting of the Z-Film by changing channels and "tuning out" for truly, they will STOP broadcasting the false-hoods depicted in the Zapruder film only when we as a nation STOP WATCHING IT.
The choice is an individual one. The Z-Fraud must stop...it is bad for the eyes, it is bad for the mind and it is bad for the soul of the nation.
The prelude is the past, what of the future? Let us take note of the following from a book of ancient wisdom containing a message of hope for the just and a stern reminder to those who falsified of the Z-Film, the handlers and tamperers of the Zapruder Film, all co-conspirators in the murder of John F. Kennedy:
"Here the climax of the darkening is reached. At first the dark force held a place so high that it could wound all who were on the side of good and of the light. But in the end it perishes of its own darkness, for evil must itself fall at the very moment when it has wholly overcome the good, and thus consumed the energy to which it owed its duration."
--- I Ch'ing,
"Wounding of the Bright"
....completed in the name of Justice for JFK.
Robert D. Morningstar
St. James Court
New York City
May 29th, 1997
ACKNOWLEDGEMENTS
With special thanks to:
Mr. Abraham Zapruder
JFK-Lancer Conference Morningstar Aerospace
Resources & Systems:
Thomas A. Jones William Whitford,
Debra J. Conway Ballistics Expert
George Michael Evica
Ms. Mary Ferrell Sid Kemp, Analysis TSgt.William Larrea, USAF
James L. Silverberg, esq. Lars Eversoy, CFII, Pilot
Supporters & Associates:
Gary Null, Radio Journalist
The Z-Panel: Barbara Sanders, Researcher
Prof. James Fetzer, Moderator Kevin McCrary, Researcher
David Lifton, History Mark Wolf, Researcher
Dr. David Mantik, Optics William Drinas, Researcher
Roy Schaeffer, Timing/Cameras Prof.Jerry Rose, 3rd Decade
Jack White, Crowd Motion/Non-motion Doug Carlson, 3rd Decade
Sherry Gutierrez, Blood Flow Pattern Jack Gordon, 3rd Decade
Chuck Marler, Body Mechanics J. Harris, Researcher
Noel Twyman, Mechanical Engineering Dr. Jerry Silverman, USAF
Ron Hepler, Timing/Wounds Ethan Enzer, Consultant
R. Morningstar, Time/Motion Studies, Marc Whitford, USPTO
Vapor Trail & Wound Analysis Helen Volshonok
Dr. David Bregman
Dr. Cyril Wecht
Zachary Sklar, "JFK"
Oliver Stone, "JFK"
Dr. Raymond Singer
Harrison Livingstone
Jill Benzer, Advisor
Dr. Peter Wayne
R.Hoagland, Scientist
Mary S. Parsons, Editor
Stan Solomon, Radio Host
Chuck Stead, Videographer
Masahiro Kahata, CG Spec.
Bill Brown, "JFK"
Robert Groden, O.J. Expert
No thanks to:
Time-Life Inc.
Len Shaneyfelt: FBI Film Specialist (directed FBI "Test Results")
Dr. Luis Alvarez, Inventor of "Jet Wash Theory" & "Jiggle Analysis Method"